ZVS Media Archive for November, 2009
Doc Tour: THE BEACHES OF AGNES
Event Date(s) / Time: Wed, 9 Dec, 2009 7:00 PM – 9:00 PM Details: Much like her earlier work, THE BEACHES OF AGNES is at once an illustration of the fine art of foraging and an autobiographical portrait, narrated by its self-described “little old lady, pleasantly plump” Agnes Varda. Location: The Alamo Downtown 320 E 6th Street Fees: $4 AFS Members & Students / $6 all others Contact: afs@austinfilm.org Category: AFS Events Created by: Agnes Varnum
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Doc Tour: THE BEACHES OF AGNES
Sneak Peek: THE YOUNG VICTORIA
Event Date(s) / Time: Thu, 3 Dec, 2009 7:00 PM – 9:00 PM Details: 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle.
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Sneak Peek: THE YOUNG VICTORIA
SAG Foundation Benefit at Kitchen Dog Theater in Dallas
KITCHEN DOG THEATER to Host Benefit Night for SAG FoundationFriday, November 20, 20098 PM. Tickets- $25Heldt/Hall TheaterThe McKinney Avenue Contemporary (The MAC), 3120 McKinney Avenue Kitchen Dog Theater‘s 19th season of theater continues with the Southwest premiere of SLASHER by KDT Artistic Company Member Allison Moore. The hilarious hit of the 2009 Human Festival, SLASHER follows the story of Sheena who is cast as the “last girl” in a low-budget slasher flick filming in Austin, TX.
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SAG Foundation Benefit at Kitchen Dog Theater in Dallas
SAG Foundation Benefit at Kitchen Dog Theater in Dallas
KITCHEN DOG THEATER to Host Benefit Night for SAG FoundationFriday, November 20, 20098 PM. Tickets- $25Heldt/Hall TheaterThe McKinney Avenue Contemporary (The MAC), 3120 McKinney Avenue Kitchen Dog Theater‘s 19th season of theater continues with the Southwest premiere of SLASHER by KDT Artistic Company Member Allison Moore.
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SAG Foundation Benefit at Kitchen Dog Theater in Dallas
Avant Cinema 3.4: DIONYSUS IN ’69 with Richard Schechner
Event Date(s) / Time: Sun, 6 Dec, 2009 1:00 PM – 3:00 PM Details: When Richard Schechner’s The Performance Group put on a notoriously uninhibited update of the Euripedes play “The Bacchae” in a Greenwich Village garage, it became the talk of New York and solidified the group’s reputation at the forefront of avant garde theater. Brian De Palma was floored when he saw a performance and immediately set out to devise a way to present the fourth-wall-obliterating play in cinematic form.
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Avant Cinema 3.4: DIONYSUS IN ’69 with Richard Schechner
